Roberto Paoli, tre progetti
The Realm of the Line
1 Gennaio 2011
Il Progetto 36
1 Aprile 2011Born in Ancona (Italy) and graduated in Architecture at the University of Florence in 1994. After his studies, he decided to devote himself to the design of objects. So, after his graduation, he went back to his birthplace (the Marche), a territory full of productive realities that represents a good training for young designers. During these years, Paoli studied some techniques such as plastic injection moulding and glass bending and collaborated with some famous Italian brands, such as Fellowes (office products made of plastic), Fiamitalia and Liv’it (curved glass furniture). Thanks to these collaborations, Paoli obtained technical and methodological knowledge, which helped him to shape his own idea of design: he thinks that functionality and technology have to merge with the shape of objects, which is always influenced by the materials. In 2002 he moved to Milan, the city of design. There he started collaborating with Tucano, where now he is Design Director. Paoli supervised the design of notebook cases and accessories and drew Tucano closer to a new product philosophy, based on strong attention to materials and functional details (some of these models after became registered design patents). In the past few years Paoli has been collaborating with lighting engineering companies, such as Nemo-Cassina and Segno. In 2007, he set up his studio Seminato Mercadante, a renovated two storey building of the first years of ‘900 with a precious ancient floor. Apart from his own studio, Paoli also designed the interiors of some houses and shops, such as Bilancioni clothes shops (in collaboration with Studio MPR). In 2009 Paoli designed two new lamps for Nemo-Cassina: the wall lamp “Flight” and the floor lamp “Kami”. He also designed the “Mir”, a mirror for Fiamitalia, which in 2009 has been awarded with the prestigious international GOOD DESIGN AWARD 2009, founded in 1950 by the Chicago Athenaeum - Museum of Architecture and Design. Paoli also designed the first Tucano showroom in the centre of Milan. The Freskogel computer accessories, designed for Tucano has been selected in ADI DESIGN INDEX 2009.
Roberto Paoli, designer, è nato ad Ancona e si è laureato in Architettura a Firenze nel 1994. Tra le varie scale del progetto affrontate durante gli studi, sceglie di dedicarsi a quella dell’oggetto. Decide quindi di tornare dopo la laurea nelle Marche, territorio ricco di realtà produttive e utile palestra per giovani designer. In questi anni Paoli approfondisce la conoscenza di alcune tecnologie come lo stampaggio della plastica a iniezione, le tecniche di curvatura del vetro: ne nascono collaborazioni durature con importanti marchi come Fellowes (prodotti per ufficio in plastica), Fiamitalia e Liv’it (arredi in vetro curvato). Queste esperienze formano una base di conoscenze tecniche e metodologiche sulle quali Paoli imposta la sua idea di design dove l’invenzione funzionale, la prestazione tecnologica si fondono con la forma dell’oggetto, spesso generata dalle possibilità estreme del materiale. Le sempre più frequenti relazioni milanesi lo spingono nel 2002 al trasferimento nella città del design. Risale a questo periodo l’inizio della collaborazione con Tucano, che cresce fino all’attuale ruolo di Design Director: Paoli coordina l’intera linea di borse e accessori per notebook avvicinando l’azienda a una nuova filosofia di prodotto progettato con una grande attenzione ai materiali e al dettaglio funzionale (alcune invenzioni legate a questi progetti si sono tradotte in brevetti industriali registrati). Da alcuni anni Paoli collabora anche con aziende del settore illuminotecnico come Nemo- Cassina e Segno. Lo studio di Roberto Paoli dal 2007 si chiama Seminato Mercadante, è un grande spazio su due livelli in un edificio dei primi del ‘900 ridisegnato intorno al prezioso pavimento d’epoca. Paoli ha realizzato anche altri numerosi progetti di interior design di abitazioni e negozi come i monomarca per il marchio di abbigliamento Bilancioni (con Studio MRarchitects). Nel 2009 l’architetto ha disegnato due nuove lampade Kami e Flight per Nemo-Cassina, e lo specchio Mir per Fiamitalia, entrambi presentati al Salone del Mobile. Nello stesso anno Mir ha vinto il prestigioso premio internazionale GOOD DESIGN AWARD 2009, del Chicago Athenaeum - Museum of Architecture and Design. Per Tucano ha progettato il primo negozio monomarca nel centro di Milano. Il prodotto Freskogel disegnato per Tucano è stato selezionato nell’ ADI DESIGN INDEX 2009.
Tucano Sales Space
MilanThe project for the Tucano sales space in downtown Milan develops around a theme represented by a texture. In this two-dimensional graphic element, which to the design of the space adds a third dimension, two factors converge: on the one hand the texture, which represents an intrinsic quality of the products of the company, which uses tough technical yarns with specially spun fibres, while on the other this crossing of lines in space derives from the idea of movement through the streets of the city, along which move those who use notebooks and other precious electronic accessories protected by Tucano products. Hence also the decision to endow the sales space with an urban atmosphere: through the choice of rather coarse materials, such as sheets of natural steel roughly welded, which form the wall displays, the flooring that evokes a stone pavement, the veneers of the furnishings with materials that from outside look almost like plastic, so that the shop appears as the natural continuation of a metropolitan street.
Showroom Tucano
Milano“Volevamo che il negozio fosse integrato nella città: non
solo usando il tema dei percorsi come decorazione, ma
anche utilizzando materiali un po’ grezzi, che generassero
un’atmosfera metropolitana”
Così Roberto Paoli sintetizza il progetto per lo spazio vendita
Tucano nel centro di Milano, dove tutto si sviluppa intorno al
tema dei percorsi, rappresentato da texture bi e tridimensionali.
In questo elemento grafico convergono infatti due aspetti:
da un lato la texture (intesa come tessitura) rappresenta
una qualità intrinseca dei prodotti dell’azienda (che impiega
molte risorse nella ricerca sui tessuti tecnici resistenti,
generati da particolari intrecci di fibre) dall’altro la texture
formata dall’incrocio di linee nello spazio, porta con sé l’idea
di movimento nelle direttrici della città, lungo le quali si
spostano coloro che utilizzano notebook e altri preziosi accessori
elettronici, protetti dai prodotti Tucano.
Deriva da qui anche la scelta di progettare lo spazio vendita
come un “esterno”. Utilizzando materiali grezzi, come
le lastre di acciaio naturale dalle saldature non levigate
che formano gli espositori a parete, la pavimentazione che
ricorda un lastricato in pietra, le verniciature degli arredi
con vernice goffrata da esterno, dall’aspetto quasi plastico,
il negozio si propone come la naturale continuazione di un
percorso metropolitano.
La superficie si distribuisce su due livelli di circa 150 metri
quadri ciascuno: un piano terreno con sette ampie vetrine
su strada e un piano interrato. La planimetria si sviluppa
come una L molto allungata e il concetto di percorso, alla
base del progetto, ha portato a un’accentuazione di questo
aspetto, attraverso l’uso di vari accorgimenti: la posa del
pavimento in gres grigio a correre con le fughe parallele ai
lati lunghi della pianta e il posizionamento degli arredi, firmati
dallo stesso Paoli. Protagonista dello spazio è il lungo
bancone giallo dalla sagoma irregolare, emersa nella terza
dimensione dalle linee oblique immaginarie della texture.
Lo stesso principio genera le forme dei tavolini in acciaio
per l’esposizione orizzontale dei prodotti più piccoli e la serie di pouf che, accostati, formano una lunga sequenza di
poliedri.
Le pareti dello spazio sono composte con elementi espositori.
Il ritmo è regolare nella lunga muratura del retro
banco, la boiserie realizzata con pannelli in mdf verniciato
grigio è solcata da fresature irregolari e i pannelli sono intervallati
da vuoti bianchi, illuminati da una luce riflessa che
ne accentua la tridimensionalità.
Le fessure orizzontali nascondono un incastro autobloccante
per i supporti in lamiera d’acciaio piegata che consentono
l’aggancio delle borse in modo che l’oggetto sembri sospeso.
La parete prosegue verso il fondo dello spazio con due
porte a scomparsa, tagliate dagli specchi a tutta altezza.
Segue una sorta di portale d’ingresso all’area bar/riunioni,
realizzato con due grandi porte scorrevoli dalla struttura
in acciaio, che riprende il disegno della texture e la verniciatura
in giallo del bancone. Attorno alle due porte gli
espositori a parete sono in lamiera piegata, sui lati, e tagliata
per accogliere i ganci a cui appendere anche gli oggetti
più piccoli. Normalmente aperta allo spazio vendita, l’area
all’occorrenza è isolabile (per riunioni aziendali) con la
chiusura delle porte. All’interno dello spazio bar il bancone
bianco e il grande tavolo riunioni quadrato, cablato, sono a
disposizione dei clienti per una sosta con caffè e collegamento
Internet Wi-fi.
Questo primo negozio Tucano è stato pensato come modello
per altri punti vendita e corner, che saranno inaugurati in
futuro in Italia e all’estero.
The computer's new clothes
Second skin project for TucanoFor over ten years Roberto Paoli has been designing bags, briefcases and cases ... to protect those technological objects that have become indispensable to us all. In updating the design of these accessories, he makes a constant “anthropological analysis” that follows the rapid evolution of the relationship between people and these accessories. It was 2000 when Paoli designed the first Tucano Second Skin folder to contain the line of notebook computers that were beginning to catch one, because they were finally light enough to be carried in ordinary briefcases. The material chosen was neoprene (borrowed from the production of scuba-diving suits). The basic model entailed assembling two rectangular shapes with a strip at the side, the whole closing with a zipper. After the first collection, Paoli began to explore the object more profoundly and by working on its construction, colour and fine functional details transformed a plain folder into an elegant and powerful technological case. In 2004 came the Guaina model: the internal thickness is derived from two identical internal profiles in neoprene (cut using the same template), folded to generate a three-dimensional object and sewn together in an embrace that plays ironically on your computer’s need for protection.
I vestiti nuovi del calcolatore
Il progetto second skin per TucanoRoberto Paoli da oltre dieci anni progetta borse, cartelle, custodie … per proteggere quegli oggetti tecnologici diventati ormai per tutti indispensabili. Nell’aggiornare il design di questi accessori egli compie una costante “analisi antropologica” che segue la rapidissima evoluzione del rapporto tra l’uomo e questi accessori. È il 2000 quando Paoli disegna per Tucano i primi Second Skin, la linea di folder per contenere i computer portatili che cominciavano a diffondersi perché finalmente abbastanza leggeri da essere trasportati in normali cartelle da lavoro. Per il materiale viene scelto il neoprene (mutuato dalla produzione delle tute subacquee): il modello base prevedeva il montaggio di due sagome rettangolari con una fascia di costa, il tutto chiuso da una zip. Dopo la prima collezione Paoli comincia a interagire più profondamente con l’oggetto e, attraverso un lavoro sulla costruzione, sul colore e su piccoli dettagli funzionali, trasforma una semplice busta in elegante e performante involucro tecnologico. Nel 2004 nasce il modello Guaina: lo spessore interno deriva da due sagome uguali in neoprene (tagliate con la stessa fustella), piegate a generare la tridimensionalità dell’oggetto e cucite come in un abbraccio che ironizza sul il bisogno di protezione del computer.
At the same time he introduced another innovation: the Anti- Sleep System (protected by industrial patent), the “cap” that protects your computer from rubbing against the zipper or slipping out of the case. In 2006 came the Script collection, which experimented with a new way of building the object. In the thicker version for notebook PCs. The third dimension is generated by a new joint between two shaped sheets, while the model designed for Apple’s thinnest notebook becomes a practically twodimensional folder. Meanwhile, neoprene was replaced by Microfiber, a material with a smooth surface. The latest result of Roberto Paoli’s observations on ethology applied to the technological animal is Charge Up, the new folder “with a hole”, where the hole is closed with an element of neoprene and Velcro. This makes it possible to charge the computer without removing it from its soft case. Since the power port has to coincide with the hole, the case has to be “worn” the right way: the two-tone colouring and graphics guide the daily ritual of donning the notebook.
Nello stesso periodo viene introdotta un’altra innovazione: l’Anti-sleep System (protetto da brevetto industriale), la “cuffietta” che protegge il computer dallo sfregamento contro la zip e ne impedisce lo scivolamento fuori dalla custodia. Del 2006 è la collezione Script, che sperimenta una nuova modalità di costruzione dell’oggetto. Nella versione per notebook PC, di maggiore spessore, la terza dimensione è generata da un nuovo incastro tra due fogli sagomati, mentre il modello pensato per il sottilissimo notebook della Apple diventa una busta quasi bidimensionale. Intanto il neoprene è sostituito dal Microfiber, materiale dalla superficie vellutata. Ultimo esito delle osservazioni di Roberto Paoli nell’etologia applicata all’animale tecnologico è il Charge Up, il nuovo folder “col buco”, dotato di foro richiudibile con un elemento di neoprene e velcro, che consente di mettere in carica il computer senza toglierlo dalla sua morbida custodia. Poiché la presa per l’alimentazione deve coincidere con il foro, la custodia va “indossata” nel verso giusto: il doppio colore e la grafica guidano il rito quotidiano della vestizione del notebook.
Freskogel
Sistema di aerazione per laptopUn set di piedini dalle linee morbide che raccontano un materiale prima di toccarlo. Freskogel è un set composto da 4 piedini in Technogel® che vanno posizionati sotto il notebook o direttamente sul piano di lavoro, così da favorire l’areazione, la dispersione del calore e il ricircolo di aria per raffreddare la macchina durante l’utilizzo. È un prodotto atossico, che non contiene colla, in modo da non lasciare residui sul portatile. I piedini vengono perciò fissati sotto il laptop sfruttando le proprietà adesive del Technogel®. Con il passare del tempo i piedini non si induriscono, mantengono sempre le loro proprietà antiurto,e non si deformano. I piedini Freskogel sono nati dall’incontro tra Tucano e Technogel®. Nel primo anno di vendite sono stati venduti 50.000 set. Dimensioni 3cm x 3cm Colori disponibili: nero, arancio, viola, rosso, bianco (trasparente), verde, giallo, azzurro. Anno: 2008 Prod. Tucano Freskogel è stato selezionato nell’ADI Design Index 2010
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Hey there just wanted to give you a quick heads up and let you know a few of the pictures aren’t loading correctly. I’m not sure why but I think its a linking issue. I’ve tried it in two different internet browsers and both show the same results.
Roberto Paoli, tre progetti – IL PROGETTO Architecture Art Communication Design
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Love watching sunset !
Best view i have ever seen !
Love watching sunset !
Love watching sunset !
When I initially commented I clicked the -Alert me when new comments are added- checkbox and now each time a comment is added I obtain four emails with the same remark. Is there any way you can remove me from that service? Many thanks!
Love watching sunset !
Best view i have ever seen !
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